Sometimes when you have an idea, you don’t know where it’s going to go. Sometimes, it goes straight into my ideas box (a small, silver gift box I didn’t send the gift in(!), but kept and is now full of post-its and scraps of paper with ideas that I wanted to not lose, but needed to park for later). Sometimes you act on the idea, and it takes off. It forms a trajectory of its own. And it begins to change from a trickle to a stream in your life. And then who knows, perhaps to become the whole ocean of what it is you are, or what you do.
That seems to be the way my writing work around animals and conservation is heading. With the wonderful news that I’ve been awarded a Churchill Travel Fellowship for 2014, to research best practice in the USA and Canada in the field of writing practice as it takes place in the field of conservation education.
The Fellowship, one of 137 this year, out of around 1,200 applications, gives me the opportunity to spend six weeks developing knowledge and practice in conservation education, learning from some of the world’s leading organisations and individuals in taking conservation education to school and community groups.
The main focus of this work so far has been on marine mammal conservation. It began when I got involved with the charity ORCA and their cetacean data project in the North East of England–whale and dolphin watching, basically, to gather data about the populations in the sea along the North East coast, and in the North Sea, seen from the DFDS Ferries that cross to continental Europe.
But I wanted to do more, and learn more. So I applied for a small grant from HEFCE via the Unlimited Fund, which supports new social enterprises. And I was successful — and Nature Stories was born. ORCA already did school visits, taking the school kids out on the ferries to Amsterdam, to see the whales and dolphins. I then proposed writing workshops with them afterwards. You can read more about that on the project overview.
This work seemed so important I wanted to take it further. And the Churchill Fellowship looked like a good way to do that. And I was delighted when I was awarded the grant.
So I’m beginning to plan out the trip, which will take in some writing for/at the Vancouver Aquarium; joining Jackie Hildering the marine detective on some killer whale education boat tours with the Killer Whale Center; a visit to San Juan’s Whale Museum; attending the Mid-Atlantic Marine Educators Network Conference in Maryland; and then back over to Monterey Bay Aquarium Research Institute (with, I hope, time for a trip to Farm Sanctuary and Animal Place in between).
I’m also going to spend a week of my own time in Toronto with the marvelous Toronto Pig Save people, and Jo-Anne McArthur, the author of We Animals, and who runs the Humane Education project, because I want to extend this work into writing practice around farmed animals too, seeing how writing (my own, inspiring that of others) can generate greater awareness and deeper reflection, leading to change, in people’s treatment of animals, and an improvement in the recognition and interests of animals, especially those billions (fish, farmed animals) who are all but invisible to us as living, sentient beings. Who are, as the film suggests, the Ghosts in Our Machine.
I’ll be using the Nature Stories site as my project blog to record the experience and connections, ideas, and discoveries — of which I hope and expect there to be many.