Animals Archive

An Animal Diary, Animals, Momentary Affects

Grieving for Magpies

He is on a train to London when he reads, as part of his research, about four magpies who gather around a fifth who has been hit and killed by a car:

One approached the corpse, gently pecked at it, just as an elephant would nose at the carcass of another elephant, and stepped back. Another magpie did the same thing. Next, one of the magpies flew off, brought back some grass, and laid it by the corpse. Another magpie did the same. Then, all four magpies stood vigil for a few seconds and one by one they flew off. (Beckoff 2009: 82)

He looks out of the carriage window. His eyes are pointing down to the right, remembering something he has never experienced and has no memory of but is, nevertheless, connected to, and feels. His larynx and chest cavity collapse… a little. He can still breathe, but it forces out a long, slow sigh; a a sigh without a mouthing.

magpieThe cognitive appraisals and reappraisals that form one component loop of the affect-appraisal-emotion-action nexus have already begun. He rationalises what the feeling might be. A love and respect for the natural world, and a resignation that the world we have does not share his feelings? Yes. But he knows these are not the momentary affect, the inconsolable loss of sentience at the heart of the image. That downward look, that sigh without mouthing, is a phylogenetic sadness, a epochal loss.

It is not only an image. It happened. The author, Marc Bekoff, witnessed this moment while out on a cycle with a friend. But he, sitting on his train to London, doesn’t need to have witnessed this specific event. In his essay on roadkill, David Lulka draws on a range of statistics to emphasise that, if he hasn’t already seen roadkill in his travels, he will:

A conservative estimate indicated that 500,000 deer are killed annually in the United States (Romin and Bissonette 1996). Caletrio et al. (1996) gauged that 10 million vertebrates are killed annually in Spain. Ehman and Cogger (1985) calculated that 5.5 million reptiles and amphibians are killed each year in Australia. Lalo (1987) referenced a study which found that one million vertebrates are killed daily on roads in the United States. (Lulka 2008: 39)

He has, of course. That owl he hit driving the minibus between Birmingham and Plymouth on December 25th 1995, with Andy in the passenger seat. The impact. A low glass thump in the gut. He has not forgotten it, but he cannot recall the affect exactly… It may have been more Michael’s “mixture of excitement and sadness” (2004) than the ‘Unnamable’ exhaustion that Lulka finds at the heart of, for example, Beckett’s writing on experience and survival.

He reads that Beckoff writes “I like to think of our emotions as gifts from other animals” (82). Certainly, he agrees, of our animal ancestors. But also of the animals we co-habit and exist with (see Haraway 2008) and of ‘wild’ animals—all animals. How does he, then, go forward? How does he survive this magpie loss? This is what Beckoff, co-author of Wild Justice, an ethologist and researcher with many decades experiences, suggests to him:

 Daily, we silence sentience in innumerable animals in a wide variety of venues. However, we also know that we’re not the only sentient creatures with feelings, and with the knowledge that what hurts us hurts them comes the enormous responsibility and obligation to treat other beings with respect, appreciation, compassion, and love. There’s no doubt whatsoever that, when it comes to what we can and cannot do to other animals, it’s their emotions that should inform our discussions and our actions on their behalf. (Beckoff 2009: 85)

He thinks of the birds he has fed over the winter. The crows and other Corvids that craw in the small park he runs through. The turkey he ate at Christmas not to inconvenience his host family. The blackbirds that dropped out of the sky in Arizona over New Year. But there is something numbing about his individual loss. Something obstructs the grief from outpouring as a “bestiary of affects” (Ngai 2005: 3). He thinks it is capitalism, or that he still owns a car, but he also knows it could be his poor sleep. It is, either way, an “obstructed agency… with a remarkable capacity for duration” (Ngai 2005: 3). Capitalism and insomnia both, then, and the pounding through air of the accelerating train.

Beckoff, M. (2009) ‘Animal emotions, wild justice and why they matter: Grieving magpies, a pissy baboon, and empathic elephants.’ In Emotion, Space and Society, 2(1), 82-85

Haraway, D. (2008) When Species Meet. Minneapolis: University of Minnesota Press.

Lulka, D. (2008) ‘The intimate hybridity of roadkill: A Beckettian view of dismay and persistance’. In Emotion, Space and Society, 1(1), 38-47

Michael, M. (2004) ‘Roadkill: between humans, non-human animals, and technologies’. In Society and Animals, 12, 277-298.

Ngai, S. (2005). Ugly Feelings. Cambridge, MA: Harvard University Press.

Image (c) Chuck Roberts

An Animal Diary, Animals, Running

Gulls coming home

seagullWatching the gulls come home is one of my favourite monents of the day. The Wearmouth Bridge, built in 1929 but with a history in different forms back to 1796, in its current shape a replica of the Tyne and Sydney Harbour bridges, all three of which I have walked over, is a good vantage point to watch the birds fly home. At sunset the sky above the bridge turns to orange and then pink, and the deep bottle green of the bridge iron turns a defiant purply-grey, and the gulls come in, singing on the wing, circling and spiralling on drafts of air we cannot see and barely notice as anything other than the cold on our cheeks. These are mainly common and herring gulls, flying at 500ft or higher, following as far as I can tell the flow of the Wear to the sea at its mouth.

I once saw a gull hanging off the St Peter’s basin wall just before the mouth of the Wear as it hits the North Sea. It was trapped in fishing line, tangled around its foot and around the iron railing, the barrier for us to avoid falling in. There were three teenagers fishing just a little way along, with the tools that could have helped to cut the bird free. Instead it hung off the side wall over the sea some thirty or forty feet below, strung up like shot game. There was always fishing line dumped along that walkway, from Sunderland out to Roker Beach. Yellow and pink and orange line, tangled messes of a frustrated day’s fishing. I used to put as much of it in the bins as I could.

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An Animal Diary, Animals

The Pheasants of Fountains Abbey

pheasant1We stopped in at Fountains Abbey on the way to Guiseley and a friend’s 30th birthday. The Abbey is a stupendous Cistercian ruin that dates back to 1132 and was caught up in Henry VIII’s dissolution of the monasteries in 1539. Fountains Hall, close by, was still inhabited up to the 1940s by the Vyner family, who were in those echelons high enough to receive a stayover from the Queen Mother. It seems that the family line ended in tragedy, with both last children, Elizabeth and Charles, dying on active service in WW2, at the ages of 18 and 19. It stopped me for a moment, butting up against my working-class-rooted feelings about the upper classes. Every family can lose children; not every family will have a shrine to those lost. And yet what use is a shrine to any family in its loss? History is a pale shadow of immortality, or even a life long-lived.

The grounds are quite stunning and peppered in life: the general birding of winter—blue tits and robins, and many crows—but what surprised and then invigorated were the number of pheasant. We’d arrived about 3pm and so by the time we’d walked around the grounds it was getting dark. The moon rose above the horizon and into a see of transient pink, with a seashore blue of sky below it; the scene and the moon and sky through the trees felt otherworldly, as if we were in Narnia. And then the calling began. This calling, the long ‘kor-ork, -ok, -ok’ a sure-throated bark, not deep but somehow broad and well-set, not deep but not flat, almost like a thorough scrape of old stories off the tongue. What we haven’t realized was quite how many of them there were.

There were groups of hens together, and males fighting, approaching each other slowly, methodically, only to jump at each other without much bite, like bantamweights or the uncommitted in love. All around us on our moonstruck dusk back to the ruins of the abbey, uplit in yellow and orange and green spotlights, and with carols and organ music still playing on a stereo and echoing through the tallest tower, we saw and heard them and their calls, finding roosts in the trees for the night, silhouettes against the moonlight, these persecuted birds, slowly and harshly calling to each other, warning, we wondered, of foxes? I could not help but think of them as refugees, wild pheasant from some gamekeeper’s stock,  who understood this National Trust land was sanctuary for them from the shooters and flushers and retrievers, and how this once playground of great class privilege had become a place for visitors to enjoy the land, but more so, an abbey of wildness for those beautiful, rancorous, hunted birds.

pheasant2Image (cc) Digital Mio

An Animal Diary, Animals

The Whitley Bay Tree

We went out to Whitley Bay to buy an overlocker from the famous sewing centre, Britain’s largest retailer of sewing machines, it seems. Afterwards we would go for a walk on darkening beach. I pulled up on Station Road, jumping up onto the kerb in a tight spot between a Mazda and a Mercedes.

When we got out of the car we saw immediately above us starlings in murmuration. Not an especially spectacular group, relatively. There were perhaps a few hundred birds, but always, still, mesmerising enough to watch for a few seconds as the flock wheeled and twisted out of sight behind the three-storey houses. There used to be many more–starlings. Their population has declined by, according to the British Trust for Ornithology, by 66% since the 1970s, and is now redlisted as of high concern.

I see them now regularly competing in Newcastle city centre with the other ground feeders: the pigeons, crows, blackbirds, for crumbs and detritus. They have always been adaptable; always inhabited, in my experience, coastal habitats. The murmuration in Brighton, where the birds swarmed over the sea to come to rest under the eaves of the piers, the only structures large and open enough to nest their numbers, would draw crowds each night, on good nights at least.

starlingsImage (cc) Paul

Here in Whitley Bay the few hundred murmurated around and above an evergreen tree which, when we returned from our beach walk, and the purchase of an overlocker, a beautiful _and_ productive evening on this 2nd day of the year, lit by th almost full moon, was alive with starlings chattering to each other, sorting their pecking order and perches for the night, the wild, joyous convocation of birds. How else would you be after a hard day seeking food, some still hungry bellies, a bright moon to whistle at, and a home unflustered by all human deeds going on around it, the comings and goings of us not nearly so pretty or fast, our commerce not so pure, although making one’s own clothes is not a bad way to spend a day, nor is standing to listen to the starlings settle, if only for a moment, before we get into the car.

An Animal Diary, Animals

The Pigeon

pigeonMy running partner saw the pigeon first. It was flapping a broken wing to try and right itself, stuck inside an open front gate of a house on the road we were running along to the Saturday morning’s Park Run. We stopped to see what we could do. There was a large gash in the pigeon’s back. It’s feathers were an anaemic blue, the blue of a watercoloured sky, the blue of the shirt I am wearing now, a birthday present from a friend.

It was obviously a fledgling, having leapt and not flown. Unable to return to its nest. Injured somehow, it didn’t occur to me how. I bent down to pick it up, but it tried to get away. I didn’t want to damage it any more. It limped away, flapping one wing and dragging the other. I finally managed to get a grip of it, both hands around its body, thinking momentarily of the image of pigeons as ridden with germs, rats with wings as some people call them, and moved it to the back of the shrub that took up most of that house’s small front garden. I wanted to leave it in a place where it could die quietly. What else could we do?

Once I put it down it flapped and limped away again, thinking itself in danger from us. It moved into a corner, flapping into the wall, unable to get further away. Then it stopped. And we had to continue to where we were going.

I don’t know of many species of creature that are more vilified and treated with such contempt. Children chase and kick at them, and their parents laugh. But the rock dove was brought into human captivity around nine thousand years ago for food and sport, and the reason we have pigeons today was because some escaped from our captivity. They have adapted to our overcoming of the world. When we pigeon hole people we are referring to the holes made in rock caves, not where the doves originally lived but where they were kept for food. It is not a flattering comparison. We look at them as if they are vermin; dirty; scavengers; ruiners of the pristine; wanters of nothing more than the waste we produce for them. There is mass, collective projection going on here, as I look at the parents looking at their children chasing and kicking the pigeons. There is one that feeds halfway down Northumberland Street, and it has a club foot. Its talons are missing; instead there is a thick, gelatinous lump on the end of its leg. An infection? A defect? It is clearly painful to walk on that foot; the pigeon feels this pain. The children run after it and try to kick it.

Later, I went back to the injured bird. I couldn’t think of that pigeon there on its own suffering. The right thing to do was go back and help. I had a hire car for a few hours, so drove there. It was a quiet road, with only one entrance and exit, so no through traffic. When I returned, the pigeon was in the middle of the road. And behind it were two cats. Sitting and waiting. They had been chasing and playing. They were the source of the deep gash in the pigeon’s back. So I got out, took my sports towel I’d carried with me in my rucksack, and chased the cats away, and finally managed to capture the pigeon in the towel, wrapped it up tight, and got back in the car. Holding the pigeon tied up with one hand, I drove home—to the veterinarian’s at the end of my street. There was nothing the vet could do, said the nurse, other than probably euthanize the bird. I left the pigeon with them. For those last moments it was calm in my grasp. I held it, and stroked its beak. Let it know that it was okay. It was better than being eaten by cats.

Now I wished I had brought it home and nursed it back to health in my garage. But I did not know how to do something like this. My knowledge of caring for pigeons or injured animals is non-existent. Not everyone dislikes pigeons. Some people fancy after them, train and fly them in competitions. Recognise their abilities. Homing pigeons use sound to image their route, to find their way back. They have superb low-frequency hearing, and make acoustic maps from the sounds emanated from the earth and oceans; they get lost if there is interference in these sounds (such as when the Concord jet flew over during a pigeon race).

A question was asked of me: How far do we go to interfere with ‘nature’—that is, cats hunt birds. Pigeons are populous, wild animals; should we concern ourselves with saving one suffering individual? This last point an argument that pattrice jones unpicks and rejects in her book The Oxen at the Intersection; that if we think only of a species then we forget that animals are individuals, and each is worthy of not suffering, and has a desire and want to live. The first point—are we interfering with nature to save a pigeon from cats?—is something I am unclear upon, in regards to a fully worked out argument. But how can my instinct to save an animal from suffering not be a part of that ‘nature’? As natural as domesticated cats, anyway. Thinking of Jean-Christophe Bailly’s small book The Animal Side, I know which side of the question I fall upon, and it is the animal side. It is the side that feels to me like the low-humming sound of home.

Image (cc) Heather aka Molly

Activism, Animals, Blog, Churchill 2014, Reviews

The Ghosts in Our Machine


There is a guy sitting in front of me crying. He looks like the kind of person I’d be friends with—I don’t know why, it’s just a look. I later find out his name is Dan, he’s a schoolteacher, and just a year ago he met the woman sitting next to him, with her hand on his shoulder, at a half-marathon race. She was vegan at the time, active in animal rights; he was vegetarian, sometimes. (Over the next year Dan turned vegan, dropped ten pounds, took ten minutes off his half-marathon time. He speaks of quickened muscle recovery and ‘living aligned’. They both think that each of them has lucked-out in finding the other. He tells me all this the next morning as we run together. Near the end of the run he stops, waits for his girlfriend, and I go on alone.) There is a fresh and loving intimacy between them, as she cares for this man crying in her arms, that I crave. It is perhaps a little of why I’m crying too, because what I’m watching is hurting, and I need support.

It’s the scene in the fur farm. It’s Jo-Anne McArthur’s still pictures, used so affectively as they are woven into the urgency of having to break in to the farm facility, take her pictures, and then leave without being discovered, and without saving a single one of these scared creatures. It is what McArthur says in the foreword to her book We Animals: for all those I could not save. It is why I am crying now (watching the film; writing these words). For every good thing we do, we don’t save these individuals in front of us. They are already dead. The use of the stilled images makes this point strongly, sadly.

Still life. It makes me think of when my grandmother died. I was in Australia on a gap year, travelling. My family told me not to come back, to continue on my journey. My grandmother was ill, cantankerous, gave up on life early, except her sherry and her cigs. The only affection she ever really showed late in life was not towards us, but towards Scruffy and Tigger, their cats. So I did not go back. I send instead to my grandfather a condolence card with the image of a bowl of fruit on the front. On the back, it’s title: Still life. But she was dead. I don’t think my grandfather ever forgave me for not returning, for doing everything I could to get there. This is strangely the same feeling the film leads me to: please, let me go back to this farm, save them, do more. This is perhaps why Dan, I, others, so many others, are crying here as we watch The Ghosts in the People Barn at Farm Sanctuary. Have we done everything we can? For these foxes in the fur farm, death is not still life. Who will forgive us for not doing more?

The Ghosts in Our Machine is an elegy. A plaintive poem, a funeral song and lament for the dead. And because it is this, it knows it needs to hold its nerve. To stay in this tone of the elegiac, edited to perfection in the film, never missing a melancholic beat. To break this tone will be to lessen the story’s power. Even when animal protection workers know that a single story is more powerful than the facts and figures (85 billion animals each year, one cow every 12 seconds…) or a combination of both, they cannot seem to resist drawing us back to the incomprehensible, the overwhelming. I don’t know why this is. It’s like that episode of Friends where Monica wants to make everyone cry at her parents’ wedding anniversary. Perhaps the animal rights campaigners and communicators secretly want to not only stir emotions in others, but overwhelm us, be the one who has the power to do that. Secretly, they all want to be Ross (his first word has everyone crying; Monica flounces off). Ok! I admit it—I want to be like Ross, to write with impact. Comically, Ross has ‘it’. The Ghosts has ‘it’ too, but with a markedly different soul. What makes The Ghosts exquisite is that it holds its nerve all the way through, beyond the credits. The tone never wavers. And so, pure, it will linger on in ways that is, most of all, respectful to the lives lost, of all the lives lost.

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Animals, Blog, Churchill 2014

On Board the Soundwatch Boat

The Soundwatch Boater Education Progamme has been running for nearly twenty-five years. Eric Eisenhardt, the current director, is into his third season. Before that, the previous incumbent had run the programme for twenty. It feels, though, as if Eric has all the decades’ experience in his eyes and memory. He knows all the boats and most of their captains, can identify the individual orca, knows the waters around San Juan Island, the rips and tears, and small passages, the quadrants split up into hundreds of small squares, the lines of sight and the landmarks. We’re about the same age, perhaps he’s a year or two older or younger, it’s difficult to tell, the thing that swings it for me are his good teeth, a kind smile hidden in his sun-tempered beard. The sun does this to people, it seems: makes you both older and younger than you are.

Soundwatch educates people on the water about the correct whale watching guidelines, the same type of programme as run by CETUS out of Victoria. And indeed later that day we see Leah Thorpe and her crew on the water in their new boat, borrowed from the Canadian DFO. It is a slick black zodiac with brand new CETUS Straitwatch insignia. CETUS are dressed up in orange waterproofs and have an official-looking life jacket. It is much more formal and authoritarian than Soundwatch’s battered old skip, its backup, as its first boat is in the shop for repairs, and us, the four crew, two of us in shorts, Sarah in her running gear, and only John fully crewed like a fisherman in waterproofs, gumboot and hat. Although our faded blue life jackets all have the Soundwatch logo. But authoritarian isn’t always best in these delicate waters, where the work of both projects, to engage the public in what’s best for the whales, can be a nuanced, tactful business. The public, and this genuinely shocks but does not surprise me, isn’t always interested in what’s best for the whales.

This is a wholly different type of programme to what I was invited to take part in the day before, in the belly of the Whale Museum. This is at the sharp end, where the actual welfare of an endangered species is at risk on a daily, often minute-by-minute basis, from boaters. Harassment of the orca in the waters can directly impact on their survival, and is a crime in both US and Canadian waters, but easier to police in US waters, because of the clear regulations. So Soundwatch and Straitwatch, as monitoring and research programmes that deliver just-in-time education, along with the Washington Department of Fisheries and Waters (WDFW) and NOAA, the “big cheese” explains John, the two proper enforcement bodies, police these waters and stop people from harmful boating behaviours.

Around 9am we motor out of Snug Harbour on the west of the island and stop for fuel in Roche Bay. It is a prissy, pretty resort, with at least a billion dollars’ worth of yacht moored along its quays. As we refuel, the waste removal boat The Phecal Freak pulls in to clean away the resort’s effluvia. I think this is genius and want to take a photo, but am slightly embarrassed of what my fellow volunteers for the day, Sarah, an intern from Cal State Channel Islands, and John, a former IBM manager and now a board member of The Whale Museum, might think. (I also think Friday’s Harbour waste removal boat, The Pumpty Dumpty, is even more genius. I’ll get a photo of that instead, later.)

P1040415Then we leave Roche Harbour. As soon as we’ve trundled out of the harbour’s limits Eric asks us if we’re ready to go faster, and then throttles the Yamaha engine. A moment later the prow is up in the air and my hat is threatening to fly off and I can’t open my eyes for the wind, but it’s exhilarating, and I love it, especially as the water’s rough and we bounce along with my stomach rising and dropping, every now and then catching air, and once or twice really taking off, landing each time with a thud that jars the backbone.

“It’s a little choppy,” Eric apologises. But it’s fun. The water is more like a river, roiling and rolling around, and throwing us with it. As we head south to find the whales we enter the fog we’d seen earlier that morning, but which cleared up as we went north. Immediately the whole atmosphere changes. It’s mysterious, heavenly, ephemeral. Like being inside a thought and seeing it for what it is. And then out of the fog we begin to see boats. These are whale watching tours out of San Juan, out of Victoria. The international border is a few miles away, cutting the waters down the middle between land masses. And where there are whale watching boats, there are, because of the excellent and connected whale spotting network, whales.

P1040422There they are. Their dorsal fins breaking surface as they come up for air. The spumes of water a dozen feet high, wisps of mist, and then their backs curving back into the sea, a sight of their saddle patch, a fluke breaking cover and slapping down. There are about ten or twelve orca, males, females and calves, in three or four groups. Eric and Sarah do their first boat count of the day. EC 6. (Eco Tour boats from Canada). EU 3 (the same, from the States). PM 2 (private motors). Others. MM, such as us, monitoring motors. Much of the work of Soundwatch is the recording of this data, the two pillars of the work of The Whale Museum being education and research.

I’m not sure what I was expecting. But whenever we spot the whales and when the different types of boats, the eco tours and the private boats, also spot the whales, there is a ruckus on the water to get close and to follow the orca as they head north along the west side of San Juan Island. It is a fleet, and I feel, more than fleetingly, sorry for the whales, whose lives are constantly under rowdy surveillance. They are followed all day, every day, but do not leave, because this is their home.

P1040410But we’re here to help. Immediately we are in action, approaching a yacht that is half the distance from the whales as the whale watching tour boats, many of whom are part of the Pacific Whale Watching Association and, mostly, follow the Whale Wise Guidelines. We approach and the captain is, if not friendly then at least neutral, and says he knows the guidelines. We don’t ask him why he’s not following them. He says something about trying to back up, but those weren’t his boating actions. We offer him a brochure with the guidelines on it, and he says he doesn’t want them, before a member of his party says she does. My job today is to hand over the brochures on the end of a telescoping fishing pole, and I do this, I’m relieved, without missing or falling in. We spin around and head off, Eric shaking his head a little. John writes down the encounter on the recording sheet. The Whale Museum and the Soundwatch Programme has been recording this type of encounter for more than twenty years. It is this data that was, in part, critical to having the orca population here registered in 2005 as endangered, which led to the regulations being updated and, now, enforced. The whole encounter took less than a minute. That’s all the time that the Soundwatch team have, with the boats moving on the water, with the distance between crews, to get across the basics of the guidelines, and to hand over the materials. It is intense education.

But there’s actually no time to stop. We’re now heading over to a two-tiered power boat that comes at the whales along the coast from the north, directly in their path. When they pull up they are well short of 400 yards, which is unacceptable behaviour. If NOAA were on the scene they could issue a $30,000 fine for this. Soundwatch can only monitor and advise. We’re not there quick enough to intercept their course, but we pull up alongside. There are nuclear two families, two couples and their netball team of teenage girls, all sitting along the back of the boat with their camera-phones out, snapping away.

“Hey there,” shouts Eric. Steely faces. “We’re from The Whale Museum, we’re here to educate boaters about the regulations for good practice around the whales.”

“Yeah I know them,” says one of the guys. “We just came from over there,” he says pointing to the west. It’s a blatant lie, as we watched them steam in from the north and pull up.

“Okay great, you know the guidelines,” says Eric, as our boat, a tenth of the size, manoeuvres around theirs. “But then you’re not doing it right.”

The steely faces continue. We don’t bother offering them a brochure. Eric runs through the guidelines, and then pulls away.

“I get tired of their inventions,” Eric says when we’re out of earshot. But he smiles all the way through the encounter. His job is a diplomatic one. Not for the first time on this trip I come to believe that one of the most important assets a human can offer for the benefit of the animals they are trying to help is a smile. As Mary-chris Staples said, a smile can be an invitation to engage. Without this opening up, change is often impossible.

P1040414John is scribbling down on the encounter sheet. He looks up at Eric.

“How would you rate that?” John asks. There is a scale of human interaction for the encounter that needs recording. Eric thinks about it.

“Poor,” he says, after a while. A little while later when we look back, we see the boat has pulled out of the line of the orcas’ progress.

“Well that’s what matters in the end, ay?” says Eric. “They’ve changed their behaviour.”

Later on I keep a check on that boat, and yes, they stay with the fleet after that warning. The intervention made a difference, for now.


The next few hours are filled with boat counts every half hour, the recording of every incident one of us spots, and a number of interactions with private boats and yachts who seem not to know about the guidelines. Some, like the Wind Witch, out of San Francisco, are genuinely unaware of the whales. They leave Mosquito Pass, a notorious point for boats crossing the whales’ path, heading for California.

P1040420“Are there whales here?” asks the woman on board. She immediately turns to her partner at the wheel. “We’ll cut the engine to neutral.”

“That’s great,” says Eric, although they’ve essentially already crossed the orcas’ path. We move around to the other side and pass them a leaflet, which they take gladly, smiling, and follow Eric’s guidelines to wait with the fleet.

Others suggest they know the regulations—one guy even waves his brochure at us while barely stopping from his photo-taking—without strictly following them. Each time, Eric instructs John to write down another incident in the shorthand code that makes the job easier. Eric knows each of the codes by heart, of course. “That’s a 3.1 and a 5.3, PM, transiting,” he says. John marks this down, as well as the name and registration of the boat, on his two sheets, incidents and encounters.

Sometimes we have to put our own boat down on the incident sheet because in attempting to get to the private boats before they infringe the regulations and get too close to the whales, we’ve done so as well. Once or twice we’re right in the whales’ path. “MM 3.1” says Eric.

“One of the other drivers says if you’re not infringing once or twice a day, then you’re not doing your job,” says John.

Eric agrees. If you’re too far back then you’re not close enough to get to the private boats before they do harm. It’s a fine balance, but a risk that has to be taken sometimes.

Because it’s a tricky business. The whales are not all in one group, and can change direction at any time. Sometimes the private boats and yachts get genuinely caught up in the swings and sashays of the whales. But then you get some boats that are reckless and arrogant, like this one, as we watch it literally chasing behind the very line of the whales’ path, less than a hundred feet behind. This is cutting right over the whales, and is beyond unacceptable. It’s one of the times we also get too close to the whales. Eric approaches but the captain palms us off and swings away. I watch as a couple on the prow use their high-powered lens to get their photos. They don’t back off, but we do, of course, needing to get out of the way of the whales. But then the WDFW have seen what happened, and approach us, and Eric explains. “That’s what we needed to know,” one of the officers says, and goes after the boat. We watch as the WFDW officers give the boat a $1000 ticket. A wildlife crime has just been committed, and the perpetrator has been punished on the spot. I feel strangely righted.


P1040423When the orca need to rest, they line up flipper to flipper. They are voluntary breathers, unlike us, for whom breathing is automatic. So when they are ‘sleeping’ one of the pod stays awake and breathes, and in their almost-unconscious state, the others hear this and come up for air as well. Eric flaps his arms around as he tells me this, imitating a dozy orca, and it makes me laugh, as if we can all understand the state they are in, that relaxed type of napping that we experience on a warm sunny afternoon, or in the morning after not enough sleep.

They are lined up like this for much of the latter part of the day while we are on the water, as they follow the coastline up to Boundary, on their way to the Fraser River. We are in Canadian waters now. This is the most peaceful part of the day, when the whale watching boats simply chug along four or five hundred feet away in a line all heading north and east, and the orca are all together, so it makes it easier to stay away from them.  This is the moment when we sit on the water and get a little drowsy ourselves. In twelve minutes Eric and Sarah will do their last boat count of the day. John has no more incidents to report, and Eric is unworried, as all the PMs have disappeared, so we will head back in time for the Whale Museum’s softball game in the Island League. For the rest of their circuit with the flow tide northwards, the orca will remain relatively unbothered, and then return south overnight with the ebb tide, with almost no boats to contend with, with no surveillance of their passing.

“Well what do you think?” asks Eric as we’re almost ready to head back.

“It’s intense,” I say, and all three of them laugh.

“Yep,” he agrees. The work puts you in the present moment, making decisions based on what is happening that minute, as to what to do that’s best. And it is directly beneficial to an incredible wonder, this endangered species with its own social system, its dialects of communication, its greeting rituals, their distinct culture. It is also the accumulation of the data which continues to play a crucial role in the protection of this endangered species.

“One possibility for what was going to happen when they were given protected status,” explains Eric, “is that this whole west side of the island, for half a mile out, would be boat free. But a lot of the tours come out of this side, and so they were vocal, of course, in opposition. So the idea was dropped. But it could still happen.”

It would be comfortable to imagine that. The resident orca having their favoured paths through the water untouched by tour boats or private, not relying on this intense, fast turning monitoring and intervention. The Whale Museum, like many, if not most, organisations of its type, never have enough funding to do all the things they would like. Eric is both Soundwatch Coordinator and Research Curator, and the two jobs are too much for one person. Of course during the summer the whale watching tours run into the evenings, when Soundwatch are not on the water. And private boats can come out any time. One of the most obdurate populations to shift, both physically in their boats and in terms of mindset, are the fishermen. The only thing to move them, usually, are NOAA. But Eric doesn’t give up on them. Conversations can make effective conservation, even with the fishermen who want to be in the same waters as the orca, both, of course, being after the same pink prize: salmon.

Back at Snug Harbour we tie up the boat and stow away our life jackets and head back to the truck. On the way we stop and talk to a guy at the resort, who asks who we are and what we’re doing. Eric explains, talks about the different volunteer roles that Sarah, John and I have been playing that day. The guy looks up at Eric.

“You mean if I have to come out with you I have to work?” he jokes. We all laugh.

“Sure,” says John. “You don’t get to whale watch. I had my nose in a spread sheet all day.

“But you do get to be with the whales for longer,” says Eric. “We’re with them all day. The tours are only there for an hour.”

And it’s true. I didn’t get to whale watch. In fact, for a long while, I was focused more on the boats than the whales. Even though I did get to think a bit longer about the experience, ponder on my questions, take a few photographs. We were never, intentionally, as close as any of the whale watching tour boats. Once or twice we were incredibly close, but moved away as quickly as possible. And yet if my day was not spent watching whales, that was because it was a day of being with them, in their environment, in a way that was respectful, even beneficial, to their needs and their survival. In the evening I feel good. Working for the whales does this to people, it seems: makes you both less and more significant that you really are.

Animals, Blog, Churchill 2014

Beeping Hearts: in the Whale Museum

A little way into Cindy’s presentation to this group of college biology majors from the local university I suddenly notice the beeping of one of the students’ watches, and realise it has been beeping for quite a while. I look over and the student, a tall young girl with blonde hair and a red dyed fringe is trying to hide the watch in the folds of her t-shirt, with that half-embarrassed and half-pleased smile that says she knows, innocently, she’s the centre of attention, and not what Cindy is presenting.

A few moments later one of the two professors catches her eye and mouths her to take the watch off. The student does so and hands it along the line, where the professor presses a button and the beeping stops. The professor gives the student a smile, and the student smiles back, and then all attention is back on Cindy, who is now telling us all that Eschrichtius robustus, the Gray Whale, has come back from the edge of extinction twice.

The first time was a recovery from whaling, where, as coastal dwellers feeding in shallow waters, the Gray was easy prey to the great whaling traditions of both First Nations and then European settlers. The second great trauma for the whales was the 1999-2000 season, where around a third of the population died, the scientists agreeing due to mass starvation. During the event the Gray Whales photographed looked emaciated—you can tell a whale is starved if you can see its shoulder blade, which should be covered in blubber. (Whales have the same bones in their flippers that we have in our shoulders and arms, right down to the thumb bone, because many millions of years ago, they too lived on land and used their forearms to move about, as we did, when we were apes.) But since then the population has bounced back to around 20-25,000 individuals in the population along the US and Canadian west coast (and another smaller population in Asia). The Atlantic Gray Whale never recovered from whaling, and remains extinct.

It’s probably because they are opportunistic feeders, Cindy explains, that the Gray Whales have done so well, whereas other populations, such as the resident orcas in these waters, which feed exclusively on salmon, and preferably on Chinook salmon, are not doing so well. When the salmon population drops, the orca suffer. Since 1990 the salmon along this stretch of the Salish Sea, the collective name for the waters from Alaska to Puget Sound, have been dying in massive numbers. A new documentary film, Salmon Confidential, by the director Twyla Roscovich, featuring the BC marine biologist Alexandra Morton, lays the blame for this directly at the door of the aquaculture industry—the farmed salmon business—and its protectors in the DFO (Department for Fisheries and Oceans), and its paymasters, politicians in the Canadian Government. The evidence seems almost incontrovertible that farmed salmon fishing has introduced devastating pathogens into the indigenous wild salmon populations. And yet to protect its trade deals with the US and China, the Canadian government is engaged, the film claims, in a massive cover up.

Cindy introduces us to two individual Gray Whales. The first is ‘Little Patch’, with a white patch, obviously, on its side. Patch has been back to the same feeding grounds in Puget Sound for twenty-three years running. The second individual is Stinky Pete, not such a lucky whale, (and not the Frasier-voiced character from Toy Story 2, either) whose one-year-old skeleton fills the room in which we are sitting as Cindy gives her presentation, not nicely lined up but set down in pieces like a jigsaw puzzle, waiting for the college students to put the skeleton together and, doing so, figure out what it was that killed Stinky Pete.

While the students are putting together the skeleton, I chat with the two professors. The main purpose of their daytrip to The Whale Museum, on Friday Harbour, where I am working for a few days to learn about their best practice in education, and about the success and strategies of the museum itself, is for biology class; while the students don’t know that much about whales, they do know about the different bones, the cervical and thoracic, the lumbar and caudal, about the atlas bone at the top of the spinal cord and the axis at its end, the processes of the lumbar and thoracic leading to the ribs, all beautiful words to me, words I recognise from my own limited knowledge of the human body, words that connect this great Gray creature and my own existence, we have the same bones, we both crawled, we both breathed. (Later, however, Cindy will chide the students for beginning the rib cage too high, at the cervical bones. “The ribs come out of your neck, do they?” she laughs.)

However the second reason the students are here, or the benefit of the trip, and one that delights me beyond what it should, is that their biology class is being combined with physical education. Their heart rates are being monitored: hence the student not knowing how to switch off what I thought was her watch. I look around. Yes, they’re all wearing them, some have two watches on, of course, a detail I did not at first notice. Later, they will stop for lunch, and its nutritional value will be calculated. This doubling up of educational experience, the first professor, a tall man with a calm face and a poker hat, explains, will, he hopes, make links between the sustainability of the whales and the sustaining of the students’ own bodies. It is a wonderful experiment, I think, artistic in its composition, if art is or can be about the revealing of what is hidden about our connected living.

The students don’t have much trouble piecing together the skeleton, and from there its quite clear to discover, from the broken bones along one section of the thoracic spine and ribs, that Stinky Pete died from boat strike, a disease of trammeling modernity, glimpses of which I will see the following day when out on the Soundwatch boat patrolling the western side of San Juan Island, when a private yacht practically runs right over the passaging orca (and will be given a $1000 dollar ticket for it by WDFW, Washington’s water police) to get its holiday pictures. The boat was probably a big one, a tanker of some sort, with a huge propeller, and one which Stinky Pete did not hear, perhaps because of the huge amount of noise pollution in the water, or simply because he was a juvenile and had not yet learned how to discern threat and danger.

But in fact Stinky Pete did not die from boat strike. He died from starvation. Some of the broken bones, one student notices, have healed. Which meant Stinky Pete probably lived for another six months from being hit. He starved, because his way of feeding—rolling in the shallows, digging and wriggling right into the mud to reach his prey, crab, crayfish, human rubbish—would have been too painful for him. Stinky Pete died because it was too painful to eat. Stinky Pete felt and responded to pain. And yet people still ride their boats over whales so they can show off their photos to friends and family when they’re finished with the charter.

“So what are the things we can do to help protect the whales?” asks Cindy, near the end of the session. Reduce noise, says one. Protect their migration routes, says another. This has worked for the critically endangered Atlantic Right Whale, whose numbers have started to rebound after boat paths were rerouted to get out of the whales’ passage. To reduce pollution and clean up the oceans: when a necropsy was performed on another dead Gray Whale, half a ton of litter was found in its stomach. Clear up old nettings so that they don’t get entangled: a new disentanglement unit has been put in place in Baja, California, where the Grays mate and give birth. Although not much can be done about predation from other whales: the transient orcas are responsible for about a third of all Gray whale calf mortality. Although perhaps something can still be done about the 140 Gray Whales permitted to be slaughtered each year by Russia as part of its traditional peoples’ rights. Half a percent of a population of families each year.

Cindy then takes the group on a tour of the museum. I went earlier on a private tour and learned much about the resident orca populations, so duck out to get some lunch, let the knowledge settle in, think, and write. A story is filtering through me about the forty-five resident orcas that were captured and taken from the waters, and the dozen or so more who were killed, by the sealife centres such as SeaWorld, which has been struck by so much negative publicity recently since the release of the film Blackfish. Of the forty-five who found their way into the captive system, only one remains alive, Lolita. Considering orca can live up to 103-years old, so far, and counting, in the wild, their premature deaths in captivity is only one indicator of its banal wrongness. The fact that Lolita still uses the same calls as her L-pod family is another. The fact that she swims around in an illegally-sized bathtub is another. There are at least forty more. I go online to try and discover the names of all the other wild orca who were captured. Nowadays, when a new calf is born to the pods in the wild, The Whale Museum runs an adoption programme to raise money and there is a competition to name the new arrival. It seems an intelligent and generative idea to connect the local populations with their water neighbours.

The Whale Museum itself is a successful institution. Established in 1976, it runs education programmes and conducts research into the resident orca, and is one of many marine organisations in the region who have successfully contributed to the identification of the orca as an endangered species, therefore demanding special protection. Such protection was given in 2005, after a long thirty years of data collection and a battle to have them protected. The local volunteers, the NGOs, the organisations, even the government, all work together to protect the orca. No wild captures have taken place for decades. Although sadly some aquariums still take wild caught cetaceans, these orca in the wild are protected from that horrific separation at least.

On the earlier tour we listened to the acoustics of the orca. There are three pods in the Southern Resident Population, J, K and L, and each of them have distinct calls or dialects. “We call the K’s the kittens,” says Cindy, and you can hear why; high pitched mewling, one of the other women on the tour can’t help but “Ah” at the sounds of it. We listen to J and L too, and to the transient orca who pass through but do not live in these waters, whose calls are much deeper. We also listen to what a super-pod sounds like, when J, K and L all come together. Cindy asks us to listen out for what sounds like laughing. We hear it, a kind of cackle, deeper than the usual calls.

“That’s the one universal call,” she says, “it’s done by most orca we know of, here, in the Arctic, in Russia, populations that have never met.” It’s the innate call of the orca species, something they must have genetically, the same way some bird calls are made up of genetic and learned parts. It means, of course, that language is part of the orca genome.

We also learn about what Cindy proudly calls the “culture” of the orca, one of the aspects of their lives that earned them the status as a distinct species, which was necessary for NOAA to give them protected status. This is something only the southern resident orca do. When two pods meet after a while separated, say J and K, what they do is this: they talk and talk and talk under water for a long time, until they come and line up, face to face to each other, and then go completely silent. They face each other in the water in these lines for a few minutes, before they swim together and intermingle, and their calling begins again. They do this each time. What is this if it is not a ritual, memorised and repeated, something essential to their “cultural” life, something that benefits their social experience. Something they value?

As the students disappear I am left with Stinky Pete, who usually resides in his pieces in bins behind educational banners, but who will be left out because there’s another school group coming in, this time third graders, who will be put through the same exercise in a few days. I think about Pete since his death. How he washed up on shore, how his body was saved for educational purposes, how his skeleton was put in a cage in the water to let other ocean creatures pick his flesh bare, how the more fragile bones were transported to the Burke Museum in Seattle to let the beetles in their cases do the final cleansing work, how in this way his dead flesh benefits other creatures in the ecosystem. How his bones are then coated in a solution of Elmer’s glue and water every five years to stop them from falling apart. How his mother may have lamented. How the heart rate of perhaps one young student may have increased on hearing his story. How the beeping of that heart cannot be stopped.

Animals, Blog, Churchill 2014

Storying with CETUS, Victoria BC

NewCetusLogo2010It’s nice when someone gets it. Not only get it, but when what you want to do is something the people you’re talking to want as well. That’s what happened with Leah Thorpe from CETUS, the Cetacean Research and Conservation Society based on Vancouver Island, when we met for lunch at the beginning of the month so I could hear what their organisation is achieving with its education programmes to help support the resident orca and cetacean populations.

Leah has been working with CETUS for a while now. She came in originally to run the education programmes and has found herself, with her co-worker Megan, running the organisation at a challenging time, when the Canadian government has slashed its funds for theirs and similar programmes. With some last minute funding, Leah and her staff have been busily getting ready for the summer preparing boats and crew to get out into the water and support the protection of the Salish Sea’s whales.

The waters from the Puget Sound north, around the Islands, and up to Alaska, are home to 33 different cetaceans and marine mammals. There are gray whales, humpbacks, fin and sei whales, as well as harbour and Dall’s porpoises, and minke whales. But the undoubted stars are the orca – the killer whales (actually dolphins, but who’s quibbling?).

There are two resident orca populations – the Southern (PDF) and Northern residents, each made up of a number of families, or pods. Both have declined in numbers over the last few decades, mainly due to difficulty finding their preferred food source, Chinook salmon. The salmon numbers have fallen because of, predictably, overfishing by us, and also, according to the marine biologist and activist Alexandra Morton, because BC’s wild salmon are testing positive for dangerous European salmon viruses associated with salmon farming (the salmon farmed in the US and Canada is Atlantic salmon). Either way, salmon numbers are down 92% on previously recorded populations. And the orca are suffering.

But human activity also threatens the pods. This is where CETUS, and the Soundwatch Programme at the Whale Museum in Friday Harbour, come in. Their main education programme is face-to-face with boaters out on the water, educating the boaters on the Be Whale Wise guidelines for safe engagement with the orca and other cetaceans and marine mammals.  CETUS works on a daily basis to monitor boat activity around the orca, and approach boats where there are signs that the guidelines—which are legal regulations in US waters, but only guidelines in Canadian waters—are being transgressed, and the orca are being harassed.

“One of the hardest things is that even if people do know about and understand the guidelines, they don’t understand orca behaviour,” says Leah. “People think that if the orca are coming towards their boats, then that’s okay, the orca are not bothered by their presence. But I try to tell them, well, people do lots of things that aren’t good for them too, and sometimes we need to back away from those people; it’s the same with orca.”

CETUS run a number of programmes such as the Straitwatch and BC marine mammal response network, as well as the Robson Bight Warden Programme, and also the removal of old fishing gear from the water. This last one is a successful programme, and one that is easy to communicate and sell to people about the value of CETUS’s work.

“And that’s because people can see it,” says Leah, “it’s clear to them what we’re doing, why we’re doing it, and the potential results. Old stuff that whales get tangled up in gets taken away: clear.”

But with the boater education programme, there are still ways in which CETUS wants to tell its story more clearly, as boaters, often fishermen or visiting tourists—not usually the locals—can respond negatively to what appears, at first, like an official boat approaching across the water. What Leah and her crew try to do is always start by talking about the whales first, and using the anecdotes and stories of the whales, to engage the boaters and watchers.

“We sometimes tell them about the mother orca who lost her son, and the three brothers who lost their mother,” Leah begins. “And then, a few months later, we find the four of them together. The single female was actually their aunt. But to see them come together as a pod was wonderful. People like that story.”

It’s only then that CETUS discusses the whale wise guidelines.

And beyond this, strategically, as with many environmental groups, the ‘selling’ of its value to stakeholders, donors and government funding bodies, either direct or through public pressure, is a critical part of how CETUS manages its future.

And this is where a writer and storyteller can come into the picture. Without getting weighted down with the formalized languages of fundraising or communication, marketing or social media, how can a creative writer come in and work with an organisation such as CETUS to simply tell a story about themselves in a way that is both authentic and that helps them realise their aims? That translates the wealth of research about orcas and their behaviour, and their decline, into something the boaters and public get immediately, and which changes their behaviour. And it’s here where things click.

“We’d love you to come out on the boat with us and help us work out what story it might be that works best,” she says. It’s gratifying that so early on this trip the whole idea of a creative writer working with an environmental organisation to tell the story better to help animals and nature seems to be one that could work. [I’ll be out on the water with the Friday Harbour Soundwatch people on Weds 9th July]

Leah and Megan have been working on this, and in a few weeks they go live with their first viral video about the dangers of not properly monitoring and protecting the orca from overzealous or ignorant human interaction. As a mainstream organisation—a registered charity, and not a campaigning or pressure group—Leah is both hesitant and excited about what will happen when the video is launched.

“But with less funds, we may need to take more risks,” she says. And we talk a little more about the aims they hope to achieve through the video. Wider recognition for CETUS’s work; wider public awareness; a clearer story. “Whatever makes it easier for the whales,” she finishes.

It’s obvious with the decline of the orca populations, and their cultural, economic and ecological value to the region – although of course the orca are valuable in and of themselves, not in any metric that can be measured by us – that any and all attempts to protect their habitats and keep human-whale interactions to a safe minimum level is necessary. CETUS’s work, then, is necessary. So how to better tell their story, so their work not only continues, but grows?


P1040302The next day I travel out with Five Star Whales on an evening whale watching trip. CETUS work closely with the whale watching industry, and there is a Pacific Whale Watching Organisation with the registration of 33 tour operators who all work together to ensure the safe and sustainable practice of whale watching. Most are part of the Orca Spotting Network, set up by Ron Bates, who comes out on the boat with us, voluntary now in his retirement, to help the boat find the orca. There are two other biologists on the boat, Kaegan, and Sarah, a young marine biologist with a BSc, moving on to do her MSc research on sticklebacks, but with, having grown up on the island, a healthy knowledge of the orca and of the surrounding ecosystem.

Today we’re lucky. One in a hundred lucky, according to Captain Trevor. When we find the orca we find them happily fed, gorged on salmon, and in a playful and sociable mood—both with each other, and with us. We see pretty much the whole of J-Pod, including the oldest orca on record, Granny (pictured above, identifiable from her saddle patch) who is 103-years-old, and who has children’s books written after her. They spyhop, tail strike, and breach, the adults and calves, all around us. It’s a mesmerizing display, everyone on board becoming, for the moment, children again as we stand and watch and take photos and cheer and gasp as we spot one, then another, then closer, then further away.

I count 12 tour boats in the water in a half-mile radius around the whales, although really the whales are around us. They dive and reappear in far places from where they went under, and are always on the move, and when they are done playing (with us), they all dive and swim away, and we don’t see where they go—ready to move on to the next feed, or, having played, ready for other activity.

P1040286Being with the orca, and on the best (the oldest, family owned) whale boat, with the man who set up the original spotting network (left, he looks asleep but he was just twiddling with the radio) feels a great privilege. When I told people all about the trip, this was the part they were most jealous of. It certainly made better for the jetlag and lonely intensity of the first few days of this seven-week journey. Stopping to think of the orca, being close to these incredibly sentient, emotional, social animals, thinking of what I learnt by watching Blackfish and by working with ORCA Your Seas in the UK, and what I’m already learning here, the reasons to be here make more sense.

Activism, Animals, Blog, Churchill 2014

Forty-five days

The chickens are 20 to a crate, and the crates are moved in piles of 2 x 5 by a fast-moving forklift truck driver in dark blue overalls and a thick white mask over his mouth and nose. We’re in the (public) lane between the two buildings of the chicken packing factory at the corner of Hastings and Commercial Drive in East Vancouver. The building on the right as we look up the lane is the warehouse where stacks of crates, some 20 or 30 high, are kept in holding. On the left is the slaughterhouse.

warehouseThe forklift brings 40 or so crates from the towering columns to the open door of the warehouse, and from here he maintains a steady speed of loading the 2x5s onto the automated conveyor belt on the other side of the lane, into the open end of the slaughterhouse. The chickens are now minutes from death. They are 45 days old.

“Just babies,” said Mary-chris Staples, a maths teacher and organiser of the weekly vigils outside the slaughterhouse. She holds up two fingers to the birds in the crates as they are transported between the two buildings, a victory sign. “Bye babies,” she says as we take their pictures. The thought flashes through my mind that the ultimate sponsor of my trip, Winston Churchill (on this Churchill Fellowship), also used, became famous for, using this V-for-victory sign, long before victory was ever in sight.


A truck loaded with chickens will travel hours from the many broiler farms around Vancouver and beyond to this chicken processing plant. Earlier we watched one turn off Hastings into Frasier, but it looked empty. While we’re in the alley another, presumably full, pulls in, ready to unload. I’m with the 2×5 crates, the 200 chickens, that have just been loaded onto the heavy duty conveyor belt. Taking pictures. Mary-chris points past it.

chicken crate“In a minute that one will tip up 45 degrees and empty them all out into the processing line,” she explains. A moment later that’s what happens. The 200 birds are unceremoniously dumped out of the crate – and disappear from sight. The floor of the conveyor drops, the crate is rolled back and moved out of the way back to the open side of the space, so the forklift can come pick it up and return it to the warehouse, where it can either be repaired, or loaded back onto an empty truck and taken back to the broiler farms, for repacking. The other crates, still full of birds, move one space along in the line. The chickens I have been taking photos of, the ones I have been watching, slip slowly to the side, slip slowly away on the floating, buzzing machine.

Behind me the forklift driver quickly drives across the lane and loads up another 2×5 in the empty space. The next 200 chickens, to make sure the processing does not stop.

“Be careful,” says Mary-chris. “He won’t slow down for you.”

If this is the input line, round the corner, where a large refrigerated lorry container is fixed to he building, is the output. And the door adjacent to where we’re standing is in effect the garbage chute. The garage-style door is open and we watch as a huge container is loaded with animal slurry, chicken-flesh pink, pouring down funnels and pipes, some into the container, much of it simply onto the floor.

slurry guyWe take videos and photographs until the container is full, the waste products bound for dog food or some other product with standards lower than what is expected for human consumption, and the slaughterhouse worker shuts the roller door, Mary-chris still filming until its fully closed. I wonder why the forklift driver wears a mask but the slurry guy doesn’t. In the lane it smells but not as bad as I’d imagined.  The smell is not the worst thing. Even the confusion and fear in the eyes of the chickens is not the worst thing. The worst thing is the mechanisation. The numbers. It’s the first time I’ve seen it up close. I want to cry and I also don’t want to cry. I do not want to seem as if I’m shocked.


Earlier I’d joined Mary-chris on this regular Friday vigil at the corner of Hastings and Commercial Drive, where every week she and others from Liberation BC and the other animal rights groups in the city meet and bear witness so that others also might not forget what happens behind the walls of this nondescript building, hidden on the slope down to the traffic lights by 12 broad-leaved trees. A dozen placards are tied to lampposts and electricity boxes so the commuters on their way to work can see the messages: “Honk to stop the abuse”; a picture of a dog and a chicken with the now well-served slogan “Why love one and not the other?”.

Mary-chris stands with another placard around her neck, smiling and waving at the passing traffic. “It’s an invitation,” she explains. “If you don’t make eye contact with the drivers and passengers, they don’t really respond. But if you smile and wave, it’s an invitation. People can see you’re not here to shout at them. They can see that, ‘look, here’s a happy person doing something for the animals’ and that’s the invitation, to see what we’re saying. There’s a place for all types of activism.”


This one clearly works. While we’re talking Mary-chris keeps smiling and waving and she gets plenty of people smiling and waving back, and a regular orchestra of honking horns. She tells me about one young boy whose car had stopped at the lights, who read the placard and then whose eyes lifted to the building, and she could see something had happened in his mind.  “Even if it’s just one person…” she adds.

And then it’s my turn. “Can you hold this while I run to the washroom?” she asks, taking off her placard and handing it to me. Of course, I say. And then she runs up the street, leaving me standing on my own. I’m too self-conscious to wave. But I stand there and I face the traffic. No one honks. I’m not smiling, so no one smiles back. But then a bus driver, who pass by here every day, raises his hand to me, and I think, yes, okay.

When Mary-chris gets back she thanks me for doing my bit. It’s nearly 9am now, and Mary-chris is off to join the striking teachers on the picket line, defending Canada’s free education. She tells me that in fact as of today she’s officially retired. She wanted to retire early so she could spend more time on her animal rights work. We collect in the placards from along the street, and load them in the back of her car. The boot is covered with animal stickers, the back seat already down and the car half-full with other posters and the paraphernalia of an activist’s cause. Some of the pictures are of the abuse uncovered in the Mercy for Animals investigation last week at the Chilliwack Cattle Sales.

Before Mary-chris heads off to her picket line she gives me a hug and tells me that coming out here in the rain, all the way from the UK, has made her day, already an emotional one, even better. As she drives off I change into my running gear. Landed only last night, I don’t know my way around the public transport, so the best way, anyway, to discover a new place is always to run through it. I’ll leave here and do another 11 miles around the beautiful Stanley Park and English Bay.

As I leave I cross the alley again and look up. The forklift is still crossing back and forth, back and forth. The cages empty, full, full, then empty. This is what he will do all day. It is hard labour, and Mary-chris, as with Timothy Pachirat’s book Every 12 Seconds, about his year as a slaughterhouse worker, is at pains to point out, the activists’ vigils and protests are not aimed at the workers, but at the system.

As I’m watching two crows swoop down the lane and one dives and picks up a small morsel of escaped chicken flesh. The other crow bombs its back with its talons, hoping to make the first bird drop its prize. And rather than think how awful this is, I’m thinking why don’t people eat crow instead of chicken, or seagull, or eagle—the eagle I saw a few hours later surrounded by crows out at the very tip of Stanley Park. Why is it the chicken—the hundreds of millions of chickens—are the ones who only get to live to be 45 days old?

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